Download PDF Tripmaster Monkey: His Fake Book, 1st Vintage Edition, by Maxine Hong Kingston
Download PDF Tripmaster Monkey: His Fake Book, 1st Vintage Edition, by Maxine Hong Kingston
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Tripmaster Monkey: His Fake Book, 1st Vintage Edition, by Maxine Hong Kingston
Download PDF Tripmaster Monkey: His Fake Book, 1st Vintage Edition, by Maxine Hong Kingston
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From Publishers Weekly
A fifth-generation Californian feels alien to both his Chinese heritage and the American culture that stereotypes him and others of his race . "The long-awaited novel by the author of China Men and The Woman Warrior is outrageously clever, surrealistically imaginative, mordantly witty and funny--in spots. It is also densely overwritten and tedious," argued PW . Copyright 1990 Reed Business Information, Inc.
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From the Inside Flap
Driven by his dream to write and stage an epic stage production of interwoven Chinese novelsWittman Ah Sing, a Chinese-American hippie in the late '60s.
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Product details
Paperback: 352 pages
Publisher: Vintage; Reprint edition (June 10, 1990)
Language: English
ISBN-10: 0679727892
ISBN-13: 978-0679727897
Product Dimensions:
5.2 x 0.7 x 8 inches
Shipping Weight: 11.2 ounces (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
11 customer reviews
Amazon Best Sellers Rank:
#723,933 in Books (See Top 100 in Books)
Kingston's book is the embodiment of post-modern conscience. As such, her writing is fragmented and at times the plot is unintelligible, obscured by intense imagery and rhetoric. The negative response to her work is thus understandable. However, the importance of Kingston's novel lies in its intensity, in its dense language and imagery, and in its ultimate unintelligibility. The lack of superficial structure and form, and the fragmentation of characters and occurences embody the external and internalized difficulties faced by Kingston's protagonist and the diasporic community as a whole, and likewise exemplifies the problems with and responses to diasporic literature. Overall, while obscure and difficult, Kingston's novel is an important feat (both for readers who complete the novel and for Kingston).
good
I feel so sorry for anyone who has to read this. Granted, it was for a classroom assignment, and for my old lion of a professor who said, "Reading literature (humph!) is not about enjoyment; reading literature is about (humph!) suffering."Oh, this is suffering, all right."Tripmaster" sums this book up perfectly. This entire book READS like an LCD trip. It is so saturated by so many adjectives, unexplained Chinese culture and myth, and literary in-jokes (Ah Bartleby! Ah humanity! Quickly, where does that come from?!) that you feel as though you've just plowed into someone else's conversation by accident. Many lines don't seem to make any kind of sense at all. The prose is awkward at best, and confusing and irritating the rest of the time.The greatest crime committed here is the characterization. I hated every single character; they were, without fail, unlikable, selfish, and pretentious. They all thought they were the most brilliant people ever born; Ms. Kingston seems to pat herself on the back every time she writes about them. They really all deserved to die. When Wittman sees a bomber in the sky I kept hoping it would accidentally release its payload upon him.What could be a fascinating look at the 60s and Chinese culture turns out to be nothing less than literary masturbation. Every page I read, I could nearly hear Ms. Kingston saying, "Look at how much I know. My vocabulary is unparalleled! My knowledge of literature, a height untouchable! Look at how perfectly my book breaks the mold. Look at me. Look at me!"Some difficult texts are worth poring over -- like, oh, Shakespeare, for instance. This piece of filth has no reward to offer you for your diligence. Avoid it for your sanity's sake.
It is hard to believe that "Tripmaster Monkey: His ... Book" is by the same author who wrote "The Woman Warrior." Maxine Hong Kingston's "Tripmaster Monkey" is her first "novel" (though by no means her first foray into fiction), and it is easy to see why there was a nine year gap between this book and "China Men." Kingston's novel, centring on a young, literary minded Chinese American man named Wittman Ah Sing, is meticulously researched and detailed, bringing to life the issues and fads of the mid-1960s Bay Area literary scene. Wittman, largely without an Chinese/Asian American literary tradition, has to overcome (white) racist assumptions of "the artist" in order to produce his truly American play without it being reduced to some "exotic" or "Oriental" exercise in Asianness. Despite the seriousness of Wittman's self- and community-driven mission to be taken seriously as an artist despite the racist assumptions that attempt to stifle his creativity, the novel is extremely funny, witty and surreal. Wittman disturbs a girl he is infatuated with by proclaiming "I am really: the present-day USA incarnation of the King of the Monkeys." Wittman is fired from his department store job because he puts "an organ-grinder's monkey with cymbals attached to its hands" on ..., for customers (children) to see! Wittman's parents abandon his honorary grandmother PoPo high in the Sierra Nevada Mountains to die, and she is later rescued by a wealthy man who just happens to be seeking a wife! In many ways, Kingston's rendering of the surreal, "tripmaster" (mental and physical) wanderings of Wittman resemble the textual flow of the post-"Moby Dick" novels by Herman Melville. As with those later Melville novels, Kingston's own novel is often angry, but is also frightfully funny and filled with accurate observations of life, love and the role of art, religion, philosophy and national identity in society.
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