PDF Ebook Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory

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Operation Mincemeat: How a Dead Man and a Bizarre Plan Fooled the Nazis and Assured an Allied Victory

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Audible Audiobook

Listening Length: 11 hours and 18 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Random House Audio

Audible.com Release Date: May 4, 2010

Whispersync for Voice: Ready

Language: English, English

ASIN: B003KQMFOA

Amazon Best Sellers Rank:

The basic facts about the story are easy to find these days, what with the internet, but this book is well worth every cent because it really gets you acquainted with the main characters as three-dimensional people embarking on a long-shot piece of subterfuge.What's particularly interesting is how the author shows you that the UK intelligence people were thinking very hard about how the enemy thinks. Starting there - like with Hitler's paranoia about a possible British landing at Greece or thereabouts - they could really "sell" the idea of Mincemeat to the Germans. The fact that the whole plan hinged on the ostensibly neutral Spanish makes it even more astonishing that the thing worked.A story about a different kind of warfare. Very entertaining and human. It's amazing that it's true.

Macintyre does a good job putting the reader right into the action. I was reminded while reading this book that non-fiction can differ from fiction in the number of characters the reader must keep straight. I commend Macintyre's efforts to help in that task by often using the real name alongside the alias. Nevertheless, it could still get a little confusing especially when double agents were involved.That said, I must add how much I enjoyed reading a bit of history that gets swept under the broad-brush treatment we normally get in viewing world events. It brings to mind the saying of the stage: there's no such thing as small parts, only small actors. Macintyre admits that the Sicily invasion could have been done without this one piece of deception and that no one can prove it had an impact. However, he makes a very strong case for the importance of it. I found how detailed they were in faking their ruse very fascinating. Watching how committed the Germans were to believing the ruse simply because they wanted to surpassed the work that went into creating the lie.Operation Mincemeat was like reading a mystery that let you know the who the perpetrator was at the beginning and let you accompany him as he developed the intrigue and misleading clues. It's entertaining, astounding, and enlightening. I am now wondering where to go to get to the truth of what is happening in world, national, and even local events.

An absolute page-turner that adds so much more newly-released/newly-declassified information to "The Man Who Never Was", which most people who would think about buying this book would have seen. So, if that describes you and you are hesitating because you're wondering "why read the book if I've seen the movie?", buy this book! You will learn SO much more! Not that the movie or original book was inaccurate because it took "Hollywood liberties." When the movie and original book were made in the early 1950s, even the Ultra Secret was still classified and top secret, so that entire relationship is completely eliminated from those original stories, as are many things that, due to the Official Secrets Act (U.K.) could not be talked about! So, the book/movie had to work around those obstacles either with "deceptions" and "inventions" of it's own, or leaving things out. The original author Montagu, was the spy who developed and ran the operation, along with a partner, Charles Cholmondeley, who was also for security-related personal reasons, declined to be mentioned in the book or movie. You'll learn how they really got the body (hint: not exactly as in the movie/book) and how Ian Flemming (yes, THAT Ian Flemming!) was himself actively involved in "Operation Mincemeat" (a.k.a. "The Man Who Never Was") along with a host of other now-well known spies-turned-authors, such as Graham Greene, and other notables including the soon-to-be-notorious British traitor-spy, Kim Philby. Ben Macintyre is an established author and a fine writer, including "The Man Who Would Be King." This is a great book for everyone. The effects of "Operation Mincemeat" are still being felt today, and everyone should know about what has been called by historians the single, most important and successful wartime deception in history, rivaled only by the original itself, The Trojan Horse, more than 3,000 years earlier.

So I'm biased, or more properly hooked on Macintyre! His writing captures the essence of everything to come within the early paragraphs in almost every one of his books I have read. Mincemeat is no exception. You get the idea very soon which way this story is going to go but you cannot anticipate very far ahead because there is always a new character or some unexpected wrinkle proving " the best laid plans of mice and men..."Even with the twists and quirks, the scheme has a happy ending unless you were rooting for the Third Reich. It's a great story told by a great storyteller.

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Free Ebook How Music Got Free: The End of an Industry, the Turn of the Century, and the Patient Zero of Piracy

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Review

“The richest explanation to date about how the arrival of the MP3 upended almost everything about how music is distributed, consumed and stored. It’s a story you may think you know, but Mr. Witt brings fresh reporting to bear, and complicates things in terrific ways. . . . [How Music Got Free] has the clear writing and brisk reportorial acumen of a Michael Lewis book.”—Dwight Garner, The New York Times“Taut, cleareyed. . . . Witt, a first-time author, comes from the world of finance, and his old-fashioned, connect-the-dots reporting presents a nuanced depiction of an issue usually reduced to emotional absolutes. . . . [A] complex, groundbreaking story.”—The New York Times Book Review“[W]hip-smart, superbly reported and indispensable.”—The Washington Post“A lucid, mordantly funny account of the rise of digital music piracy, starting with the story of a worker in a North Carolina CD-pressing plant who personally leaked more than 2,000 albums over eight years.” —Time magazine “Witt’s book is more than just a simple history — or defense — of file sharing, a development most people associate with Napster, but which, according to Witt, involved a much more wide-ranging—and fascinating—story.” —The Seattle Times“A must-read on the rise of privacy. . . . Suspenseful, entertaining. . . . Essential reading for all students of the music business.”—Billboard“Incredible, possibly canonical. . . . A story that's too bizarre to make up, but needed to be told. . . . Even if you're not a music geek, How Music Got Free is one of the most gripping investigative books of the year.”—Vice“How Music Got Free doubles as a detailed ode to the MP3 as it tells the story of three men grappling with digital compression technology and its widespread fallout. . . . According to Witt’s account, these three relatively unknown figures spurred on the tectonic shifts within the music industry over the last few decades and changed how we listen to and consider music today. . . . How Music Got Free tells of supreme innovation as well as stubborn hard-headedness, and though its trio of principle characters never actually cross paths in real life, it’s tempting to consider what would have happened if they did, what crises may have been avoided.” —Pitchfork.com“The story of the music industry’s epic struggle with the technological developments that swiftly and irrevocably changed it forever. . . . Recounted by Witt with the clarity and momentum of any fictional page-turner.”—The Fader“Witt uncovers the largely untold stories of people like the German entrepreneurs who invented the mp3 file and Dell Glover, the compact disc factory worker who leaked some of the biggest albums of the aughts, leaving record label execs frustrated and scared.”—Business Insider“Brilliantly written. . . . Fascinating. . . . Highly entertaining. . . . Full of surprises.”—The Guardian“An enthralling account of how technology has turned the music business upside down . . . This is a terrific, timely, informative book.” —Nick Hornby, The Sunday Times (UK)“Compelling . . . . An accomplished first book.” —The Economist  “[Witt] organizes his narrative around alternating chapters that each focus on a separate protagonist: an engineer, an executive, and a criminal: Universal chairman Doug Morris and two nemeses Morris didn’t even know he had: German engineer Karlheinz Brandenburg, and music pirate Dell Glover, a Polygram/Universal employee at the Tennessee CD manufacturing plant.”—The Daily Beast“How Music Got Free is the result of five years of tunnel-vision focus on the history of digital music.” —The Village Voice“[An] excellent history of the MP3 and its effect on the recording industry. . . . An essential read for musicians.” —John Colpitts, The Talkhouse“The riveting story of post-millennial technology, piracy, and corporate futility.”—Los Angeles Review of Books“A captivating new book that unearths the story of mp3s, pirates and a recalcitrant music business.”—Lincoln Journal Star“[A] fascinating account of the rise of music piracy. . . . An engrossing story. . . . The year's most important music book.”—The Independent (UK)“A virtuosic, briskly readable account of when the music industry was briefly, seemingly, brought to its knees. . . . There's a lot to learn from the music business' antagonistic relationship with the technology that defined it, and Witt lays it all out on the page.”—The Portland Mercury“The story of how the Internet brought the imperious music business to its knees has never been told more succinctly and readably than it is here. . . . How Music Got Free cries out for a movie treatment like The Social Network.” —BookPage“A fascinating peek behind the scenes of a worldwide cultural phenomenon that blew apart the music business structure while at the same time creating a new one in which no one company holds all the cards (though a few of them still hold plenty). . . . An engaging account of how the music industry had to change in order to survive, thanks to the efforts of a few technologically savvy people from diverse backgrounds.”—Shelf Awareness for Readers“A riveting detective story . . . Witt’s exposé of the business of mainstream music will intrigue fans and critics of pop culture and anyone who has bought a compact disc, downloaded an MP3, or used a streaming music service.” —Library Journal  “A propulsive and fascinating portrait of the people who helped upend an industry and challenge how music and media are consumed.”—Kirkus Reviews“Like Bond meets 28 Days Later . . . Witt tells a thrilling tale, with a cast of music biz bigwigs, painstaking German boffins, and pirates and petty thieves. Witt’s writing reminded me of all my favourite modern essayists: Remnick, Franzen and John Jeremiah Sullivan. I loved it.” —Colin Greenwood, Radiohead   “How Music Got Free is as much a story about greed, friendship, genius and stupidity as it is about music piracy. And it tells an amazing story of a part of the Internet (not to mention the criminal underground) that I took for granted.  I burned through it--you will too.” —Christian Rudder, author of Dataclysm

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About the Author

Stephen Witt was born in New Hampshire in 1979 and raised in the Midwest. He graduated from the University of Chicago with a degree in mathematics in 2001. He spent the next six years playing the stock market, working for hedge funds in Chicago and New York. Following a two-year stint in East Africa working in economic development, he graduated from Columbia University’s Graduate School of Journalism in 2011. He lives in Brooklyn, New York.

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Product details

Hardcover: 304 pages

Publisher: Viking (June 16, 2015)

Language: English

ISBN-10: 0525426612

ISBN-13: 978-0525426615

Product Dimensions:

6.2 x 1 x 9.3 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

177 customer reviews

Amazon Best Sellers Rank:

#256,048 in Books (See Top 100 in Books)

Summary:- this is a captivating and very educational book, and I'm happy to recommend it. It's a one-of-a-kind on the market, and the book's flaws shouldn't deter you from reading it.As a musician, a programmer, a composer, and a millennial, I'm greatly interested in understanding the dynamics of the modern music industry. So, I picked up this book with great joy, and I am very glad I read it. As I read, I felt like I was sitting at a cafe with Stephen Witt - a man who is clearly deeply knowledgeable and full of incredibly interesting stories. As a narrative, the work is captivating. However, as a coherent, edited book, it falls short of perfection.As the other reviews mentioned, Witt carefully interweaves several stories within the book. I felt that the balance between the broader music industry and the individual stories of prolific pirates was a bit jarring sometimes. I greatly appreciated the introduction where the author discusses the academic research that led to the invention of the MP3, and even dives into some of the technical aspects of how music is compressed. As a layman, this was incredibly useful, and I learned lots. I was also emotionally captivated by Dell and Glover's story. The book fell a bit short, however, when it jumped to the broader dynamics within the music industry. Moreover, while Witt's conversational tone can be a page turner, oft-repeated sentence structures and convoluted phrasing would have surely benefitted from a better editor.All in all, I greatly enjoyed the book, but wish it was edited for clarity and slightly restructured for coherence. This shouldn't deter you from reading it, as the benefits still greatly outweigh the cons.

This was one of those books I purchased (for Kindle) as an impulse buy, but found to be a really good one. Stephen Witt does a great job telling the story of the mp3 and how it revolutionized (for better and worse, I suppose) the music industry. He does this through very well-informed alternating chapters told from the vantage point of different characters - one of the inventors of the mp3, a hacker from North Carolina, a music executive at Universal Music, and some bit players like Steve Jobs and a representative from the Recording Industry Association of America.In brief, the story is this: a fledgling technology, the mp3, is basically losing out to the industry's preferred mp2 and the Compact Disc... until music hackers discover the amazing potential for ripping music from CDs and keeping them on their computer. This, obviously, affects the music industry, who never anticipated (or didn't know how to think about) the mp3's rise to prominence. So, the music industry needed a way to stop this technology or incorporate it into their fold, which eventually they did with the rise of the mp3 player (which had questionable legality in its early years, as mp3s were primarily associated with hacking). Now, the music industry deals almost exclusively in selling digital media via the mp3, but even now, the music industry is a shell of its former self in terms of sales. The mp3 basically nudged them to monetize in less profitable ways; not only do they sell songs cheaper than via compact disc (and can't rely on selling whole albums), but venues like Spotify monetize music by selling advertising along with it.So, this is a story ab out how the mp3 had huge effects all over the music industry; not bad for a technology that was largely declared dead in the water during its development. One thing Witt does really well - besides pacing the story like an expert journalist - is that he doesn't moralize too much. Was the mp3's rise because it allowed easy theft so that people could enjoy the fruits of others' labor for free? Or was it a natural and understandable reaction to the cartelization of the music industry (which, during the mp3's rise, was found guilty of collusion to keep the price of CD's up)? Witt doesn't say. If I had to guess, he sympathizes more with the latter (and suggests in the intro that he was one of the kids who got all his music by file sharing services). But he seems to keep the story a bit neutral, allowing each to come to their own conclusions (or read their existing conclusions in).This was just a FUN book to read. It is about entrepreneurship, economics, hacking, and technology's capability to disrupt (not to mention... MUSIC) all in one. I found it gripping. Any music fan - and especially those who think the medium is the message - will too.

A music journalist from the US said to me, "If you want to know why is it that I think the music industry is to blame for its own destruction, this book is all you need." I suppose he's right; they didn't want to adapt themselves to the changes, technology-wise...How Music Got Free is a very entertaining read. The reader gets to know everything that has to do with the way music developed since the 1960's while feeling like Witt is right there in the living room with you, telling how it's all been, coffee mug in hand. Highly recommended to anyone who's a music nuts, also to rising musicians who nowadays see themselves having their music on iTunes, Spotify and other digital stores. It's important to know the story behind the ways of distributing music, past and present.

Gaming directly in the author's age group and recalling this transitory period well, this was a gripping look at some of what transpired behind the scenes to change music forever. While it focuses on just three different people (and a 4th in Oink that helped replace Fraunhofer's role), the breath and complexity of the story woven felt complete.I think one of the most fascinating elements of the book are the points where with 20-20 hindsight you see just how clueless folks can be about the opportunities in technology. Introducing the telephony jukebox, I immediately thought "Holy cramp, it's Spotify 30 years to early!" Or the hubris of the music industry.I found myself being shamefully impressed with a music executive, despite my low opinion of the industry. And that's okay. This is a compelling read, with many layers.

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